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Showing Records: 1 - 16 of 16

Art & Antiques. No.1/Jan / Wolfli A., 1995

 Item
Identifier: CC-26724-27194
Scope and Contents

Edward M. Gomez contributed an illustrated essay "Poetry and Pathos: The Story of Adolf Wolfli's Vision Fuels the Debate over Outsider Art and the Nature of Creativity." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Art Brut, L'. No.13 / Reinhold Metz., 1985

 Item
Identifier: CC-31077-32542
Scope and Contents

Don Quixote is the theme of Metz's densely drawn, brightly colored, handwritten picture poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Art Brut, L'. No.19 / Constance Schwartzlin-Berberat., 1985

 Item
Identifier: CC-31078-32543
Scope and Contents

Schwartzlin-Berberat wrote poetry in journals with obsessive, back-slanted handwriting. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Art in America. No.3/Mar / Wolfli A ; Watts R., 1989

 Item
Identifier: CC-25018-25471
Scope and Contents

This issue includes an essay by Ann Temkin, curator of 20th century art at the Philadelphia Museum of Art, that is entitled "Wolfli's Asylum Art." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Collectors of Skies / Valerie Rousseau, curator ; Barbara Safarova, curator ; Darger H ; Hugo V ; Kosek Z ; Muniz V., 2012

 Item
Identifier: CC-55240-9999000
Scope and Contents

From the curators' forward essay. "The works assembled for this exhibition confront an elementary complexity behind this pastime, driving artists froamdiverse paths to explore often obsessively, a unique relationship with the sky and the vertical axis it draws." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

Heterotopia: Works by Willlem van Genk and Others edited by Yorck Forster and Peter Cachola Schmal / van Genk, Willem ; Fent F., 2008

 Item
Identifier: CC-50953-72031
Scope and Contents

This catalogue was published on the occasion of the exhibition oh Heterotopia at the Deusches Architekturmuseum (DAM) from May to August 2008 in collaboration with the Dr. Guislaiin Museum in Ghent. Michel Foucault used the term "heterotopia" to refer to parallel social worlds tht display a different fabric of relationships and a different order - enclaves in the real world, such as prisons and sanatoriums. This book features works that can be considered "Outsider Art" - working outside the mainstsream, their authors are people exposed to extreme mental strains and pushed to the fringes of society. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Mercury Springtime: Drawings by Chris Hipkiss / Hipkiss, Chris., 2000

 Item
Identifier: CC-41350-43333
Scope and Contents

The self-taught artist draws the theme of docile and tamed nature and mankind's domination over the natural world. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

New Brazilian Art / Bardi, Pietro Maria ; Cordeiro W ; Schendel M ; Dias A ; Gerchman R ; Vater R ; Golyscheff J ; Gullar F ; Clark L ; DeCampos A ; DeCampos H ; Pignatari D ; Oiticica H ; Silveira R ; Segall L., 1970

 Item
Identifier: CC-52882-74020
Scope and Contents

This is a profusely illustrated book about the artistic scene in Brazil with particular emphasis on the 1960s. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Outsider Art / Turner, Elise; Young P; Finster H., 1993

 Item
Identifier: CC-01499-1532
Scope and Contents

The Sackner Archive holds three unique artist books by Purvis Young, the Miami artist who is the subject of this article. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

The End Is Near!: Visions of Apocalypse Millennium and Utopia / Manley, Roger, editor ; Finster H ; Laffoley P., 1998

 Item
Identifier: CC-31301-32774
Scope and Contents

This extensively illustrated book depicts artworks from the American Visionary Art Museum in Baltimore, Maryland. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

The Naive Art of Howard Finster / Finster, Howard., 1987

 Item
Identifier: CC-11378-11594
Scope and Contents

Two essays, "Finster's Fantasies" and "A Preacher-Painter Leads Students to Their Own Artistic Roots" describe the interaction of the unschooled, spiritual artist with students at Lehigh. Four of Finster's pictures are illustrated. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987